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COMMUNITY THEATRE
WORSHOP PROPORSAL

The work proposal seeks through experiential experiences from physical theater training, theater of the oppressed, clown and theater of objects, the true encounter with themselves and between the participants.

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A process that aims to re-connect with ancestors and with the sacred connections that unite humans with nature will be addressed. Stones, a variety of objects, and masks are used to remember a past, an emotion, or a feeling. These objects awaken a sensitivity closer to intuition than to rationality. Always with the utmost respect, participants are led to experience the power of these objects and the stories they symbolize. In this way, stories are collected that are of interest to the community and that serve as a channel to enhance some evolutionary and healing process in the present moment.

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This space usually constitutes a forum for public dialogue, free from political and / or religious positions. This is how some participants find here the possibility of beginning to break the layers of silence.

WORK STAGES

In the first stage, we will carry out dynamics of awareness and deep listening, which put each member in a genuine state of openness and vulnerability, thus standing at the doors of that great creative source that we are. For this we will use dynamics that develop our vocal source as the main and first resonator. Breathing, support in our body, entering spaces of no-mind as essential tools to enter into vibratory states that enhance true communication.

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Next, dynamics will be carried out in which stories will be collected that will allow addressing the problems / themes / conflicts / questions that the group wants and needs to work on.

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During the course of the process and depending on its length, the participants are offered the possibility of creating a show jointly with the actors and actresses of Amares. The show will revolve around the theme of the Absence. And it will start from the exploration of certain theatrical devices explored by Amares Teatro during the creation of the play RIO.

WORKING TIME

The duration of the workshops is variable, ranging from 1 week to 2 months, with a workload of 2-3 hours a day and a regime of 5 working days and two days off per week.

NUMBER OF PARTICIPANTS

Minimum 6, maximum 20

SPACE NEEDS

Enough space for 20 participants to lie on the floor and to move comfortably.

PARTICIPANTS REQUIRMENT

Bring comfortable clothing that allows the expression of our body. Eventually and as a complement, we will use objects and any type of musical instruments or sound material with which they feel familiar or not.

Calendar 2017

COLOMBIA

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  • Cali: Congreso de Payasos Hospitalarios "CaliClown" | 29th and 30th of April

  • Medellin - Teatro Casa Clown | 22nd, 23rd y 24th of May

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Calendar 2018

MEXICO

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  • Chiapas: Festival de cine y teatro “Puy ta Cuxlejaltic”, Carakol Oventik | 12th of December

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Calendar 2019

MEXICO

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  • Santo Domingo Yojovi: Secundaria Comunitaria Indígena | 28th, 29th, 30th and 31st of January

  • Huehuetla: Centro de Estudios Superiores Indigenas Kgoyom | 5th, 6th, 7th, 8th and 9th of March

  • Sierra Tarahumara: Telesecundaria de Gonogochi | 6th to 17th of May

EGYPT

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  • Luxor: Tanweer Association | 22nd, 23rd, 24th of November

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Calendar 2021

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INDIA

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  • Kungri: Female Kungri Monastery | 31st of August, 1st and 2nd of September

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Calendar 2022

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INDIA

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  • Saboo: Ngari Institue of Budhist Dialectics | 15th, 16th , 17th of June

  • Phey: SECMOL | 20th, 21st, 22nd, 23rd of June

  • Majuli: As part of DO:NY-PO:LO International Theatre Festivla with the Mising native community   | 17th, 18th and 19th of November

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